5 comic book movies that handled nervousness well (& 5 that went too far)

Comic book movies have become huge in Hollywood, producing more profitable blockbusters than any other genre of film in the market today. From beloved MCU movies to the DCEU and beyond, comic book movies are a staple of pop culture. One of the great advantages of comedy films in general is their diversity. While the MCU is largely a simplistic, mostly family-friendly superhero fare, other comedy films have gotten more extreme in their approach to things.

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Some comic book movies have done a great job of being nervous, but others fail completely. Not all comic book movies are capable of incorporating cutting edge material in a way that makes sense to audiences.

ten Handled the nervousness well: V for Vendetta may have changed a lot from the comics, but it kept its tone

V for Vendetta

Alan Moore and David Lloyd’s V for Vendetta is a classic comic book, which highlighted the dangers of extreme right-wing conservatism and was an allegory of Thatcher-era England. The comic was adapted during the height of the Bush administration and the War on Terror, so it tweaked the narrative to reflect that era.

The film adaptation kept the themes of anarchy and rebellion from the comics, never backing down from violence. As with most film adaptations of her work, Alan Moore was not happy with it, but fans of the comics for the most part appreciated her and the way she portrayed the most daring storylines in history.

9 Didn’t handle the nervousness well: the MCU is collectively terrible with edgy content of all kinds

The MCU is the largest supplier of comic book movies. Fans love the MCU, with its style considered the pinnacle of modern comedy films. As a Disney affiliate, Marvel Studios does its best to balance the darker aspects of superheroes with a more family-friendly fare, but fails completely when it comes to any kind of edginess.

The MCU uses humor a lot, to the point where it can be distracting and actively hurt the tone of the movies. Whenever something vaguely edgy is introduced, the movies go out of their way to reduce the impact by falling back to a more humorous style. This tonal kills movies and prevents them from engaging audiences on anything other than the superficial level.

8 Handles nervousness well: Sin City did a great job capturing the comic’s harsh storytelling

City of sin

Frank Miller’s City of sin was groundbreaking for the crime comic book genre, embracing a sharp style of storytelling that was rare for the time. Miller’s crime stories won legions of fans and were ultimately chosen for a movie. The 2005 film embraced Miller’s comic book excesses, mimicking the book perfectly.

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One of the reasons for this was the fact that Miller was an important part of the production, even getting co-director credit. Miller and directors Robert Rodriguez and Quentin Tarantino – who directed Clive Owen and Benicio del Toro in a memorable streak – worked to replicate the visual style of the comic book and didn’t shy away from the sex and violence that the book was known.

7 Doesn’t handle nervousness well: the mind was a complete failure in every way

The Spirit film

Will Eisner The mind is a classic of the crime comic book genre and is a favorite of many fans and creators. When it was announced it was being adapted for theaters and Frank Miller was directing it, fans were optimistic. Miller had done a great job on City of sin and the cast, which included Samuel L. Jackson and Scarlett Johansson, looked promising. Unfortunately, the resulting film was a mess.

The film’s aesthetics were great, but it basically copied everything from City of sin. While that makes sense due to Miller’s involvement, it didn’t really help the movie. Miller trying to mix it up The mindThe crazy styles of with its avant-garde approach didn’t work at all.

6 Handles nervousness well: the blade deliciously embraced the Schlock of the concept


years 1998 Blade was a huge success and has millions of fans. The fact that he made as much money as he made is a huge deal, and while he hasn’t exactly paved the way for films like X Men and Spider Man – who were both already enlightened – his legacy continues to this day. Blade did a lot for the vampire movie genre and knew how to be nervous when needed.

Blade is often a schlock masterpiece, combining bloody fight scenes with more silly dishes in a way that works wonderfully. Blade is able to make every distinct aspect of the film work, which is rare for a film that oscillates so much between tones.

5 Doesn’t handle nervousness well: Man of Steel tries to make Superman nervous, fails completely

Since the release of the Snyder Cut of Justice League, director Zack Snyder’s work in the DCEU got a second look – but that look isn’t always good. To take Steel man, for example. After the success of Christopher Nolan Batman trilogy, Warner Brothers wanted something similar for Superman and went to Snyder and screenwriter David S. Goyer. This turned out to be a mistake.

Steel man tried to make Superman a more daring superhero, which is just a huge misunderstanding of the character. Superman can work in edgy narratives, but trying to make him edgy doesn’t work at all.

4 Handles nervousness well: Deadpool movies do an incredible job of combining violence and humor

Saying fans were disappointed with Deadpool’s appearance in X-Men Origins: Wolverine is an understatement. They weren’t the only ones, as actor Ryan Reynolds spent years lobbying to play the real Deadpool. Eventually, he got his wish and produced two of the best comic book movies of all time: dead Pool and Deadpool 2.

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Both of these films were able to take whatever rocked the character and put them on screen. They juxtaposed the often ridiculous violence with the serious hilarity of Deadpool to create brutal shows that found a way to balance everything without sacrificing tension or tone.

3 Didn’t handle nervousness well: Suicide Squad may have been a success, but its advantage is often hilarious

When most people think of the first Suicide Squad film, they think of two things: the exceptional Harley Quinn of Margot Robbie and the Joker of Jared Leto. Leto took Joker to extremes and while the Joker is the ultimate Edgelord character type, the portrayal didn’t work out at all. This is endemic to the nervousness of the film as a whole.

Suicide Squad goes way too far with his super team of villains, taking nervousness and obscurity to the nth degree. It feels like this was a Hot Topic teen marketing target and seeing it again can lead to a lot of inadvertent laughs.

2 Handles nervousness well: Logan is a deep meditation on the effect of a life of violence

Hugh Jackman as Old Man Logan in the 2017 movie Logan

Wolverine was by far the star of the X Men films, with actor Hugh Jackman portraying the character for seventeen years. Logan was his last appearance as a character and the only time he got to play the character in an R-rated movie. Logan would prove to be a masterpiece, striking the right balance between R-rated excess and deep storytelling.

Logan is an image from an almost perfect comedy film. He does a remarkable job of portraying the violence of the character and the pathos of his life and never feels as nervous as he actually is.

1 Doesn’t handle nervousness well: Batman V Superman: Dawn of Justice went too far with nervousness

Batman v Superman Banner

The DCEU had a reputation for being too dark at first, and Batman v Superman: Dawn of Justice is a huge reason for this. Steel man put the train on the angry track but Batman vs. Superman accelerated him to the most daring station. The film has gone in the darkest directions possible and while it has vocal fans, its edginess is often derided.

Batman vs. Superman delves into Snyder’s worst excesses and instincts as a filmmaker to create a film that’s far too nervous for its own good. Most of the fans weren’t in the movie, enough that it almost put the nail in the coffin for the entire DCEU.

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