Hollywood – Reynolds Records http://reynoldsrecords.com/ Sat, 13 Aug 2022 02:52:16 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://reynoldsrecords.com/wp-content/uploads/2021/05/ryan-reynolds-icon-150x150.png Hollywood – Reynolds Records http://reynoldsrecords.com/ 32 32 Meet the Four Women He Married – Hollywood Life https://reynoldsrecords.com/meet-the-four-women-he-married-hollywood-life/ Sat, 13 Aug 2022 01:02:00 +0000 https://reynoldsrecords.com/meet-the-four-women-he-married-hollywood-life/



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Kelsey Grammar67, is a television legend thanks to his stint as Dr. Frasier Crane on Cheers from 1982 to 1993 and spin-off fraserwhich lasted until 2004. While Dr. Crane had many on-screen romantic dates, Kelsey went through several marriages, including one to her ex Camille Meyer53 years old, the The Real Housewives of Beverly Hills, in his personal life. Learn more about the four wives of the six-time Emmy Award winner here.

Kayte Walsh

Kelsey Grammer and Kayte Walsh
Kelsey Grammer and wife Kayte Walsh at the 2020 Vanity Fair Oscar party. (Shutterstock)

Kayte Walsh, 43, was born in Hartlepool, UK on January 7, 1979. She worked as an airline stewardess before meeting her husband Kelsey. Kayte has often been the subject of much criticism for breaking up Kelsey’s previous marriage. She even said Oprah Winfrey on a 2012 episode of Oprah’s Next Chapter that she wasn’t exactly happy with how the couple’s relationship started.

“I’m not proud of how we started,” Walsh told Oprah. “Because he was married,” she admitted. The couple’s relationship made headlines in 2011, when Kelsey was still married to Camille. Kelsey and Kayte tied the knot on Feb. 25, 2011, and welcomed their first child together shortly after: a baby girl. Faith Evangeline Elisa Grammer10 years old, born in 2012.

They later welcomed two more children together, including Kelsey Gabriel Elias Grammer8 and Auden James Ellis Grammar5. Kelsey and Kayte mostly stay out of the spotlight and tend to keep their family life private.

Camille Meyer

Kelsey Grammer and Camille Meyer
Kelsey Grammer and his ex-wife Camille Meyer in 2010. (Shutterstock)

Camille and Kelsey had a long marriage that lasted 13 years. They married in 1997 and had a nasty public divorce in 2011. Prior to the divorce, their relationship was documented on RHOBH — leading to their eventual explosive split. Camille accused her ex-husband of cheating on her while he was living in New York for work. On the show, Camille even said, “Somebody’s in the flat as Mrs. Grammer, it’s just not me.”

The former couple had two children via surrogate: mason grammar20, and Jude Grammar17. Kelsey is known to speak negatively publicly about his ex-wife and once called her “pathetic,” according to FoxNews. Camille, however, left Kelsey: she married her husband David Meyer in 2018.

Leigh-Anne Csuhany

Kelsey Grammar
Kelsey Grammer and his ex-wife Leigh-Anne. (Shutterstock)

Kelsey was briefly married to Leigh-Anne Csuhany, from 1992 to 1993. The details of their marriage are not public knowledge and Leigh-Anne remained a private person. His second wife was said to be an exotic dancer, who once threatened to kill him, he told The sun. “To be sure that I would never leave her, Leigh-Anne had to convince me that I was nothing – unattractive, untalented, unlovable and incapable of being loved by anyone but ‘her,’ he said.

“She was spitting in my face, slapping me, hitting me, kicking me, breaking glasses on my head, smashing windows, tearing up pictures of my loved ones, threatening to kill me, killing herself,” a- he also said. Leigh-Anne and Kelsey had no children together, however, they faced an unfortunate miscarriage during their marriage, the outlet also reported.

Doreen Alderman

Doreen Alderman, 67, and Kelsey have been married for almost 10 years. They married in 1982 and lasted until their divorce in 1990. This made Kelsey’s marriage to Doreen her second longest marriage, after her marriage to Camille. With Doreen, Kelsey welcomed their only child together: her daughter Spencer Grammarnow 38 years old. Spencer was born just a year after her parents married in 1982.

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From Kauai to Hollywood, Siena Agudong takes aloha wherever she goes https://reynoldsrecords.com/from-kauai-to-hollywood-siena-agudong-takes-aloha-wherever-she-goes/ Wed, 10 Aug 2022 23:16:25 +0000 https://reynoldsrecords.com/from-kauai-to-hollywood-siena-agudong-takes-aloha-wherever-she-goes/

HONOLULU (HawaiiNewsNow) — Whether Siena Agudong is filmed or not, she never forgets her roots.

“I was born and raised here and my family is here,” the Kauai native said. “I will always have Hawaii. I’ll never forget that, so I carry the values ​​with me and… just aloha, you know, you carry that on set and I don’t want to forget that everyone around me is part of the family.

Agudong, who turns 17 this month, started acting at the age of 7 and made his television debut at age 8. She’s been on Disney, Nickelodeon, and in big screen movies. She recently appeared as young Mia in “F9: The Fast Saga”.

Agudong now plays a young Billie Wesker in “Resident Evil” on Netflix – a far cry from her Disney and Nickelodeon days.

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“I think in a few years with Disney Channel, Nickelodeon, I’ve been able to learn the basics of the film industry while having fun, you know, with everyone around you, and it’s very light” , she said. “And then moving on to something like ‘Resident Evil,’ where it’s constant on screen, the chaos, the violence and the emotional scenes, it’s very different, but you realize that all you really have to do is let go of all control because that’s the only really way to feel an emotional scene.

Agudong described playing Billie Wesker in “Resident Evil” as “crazy”.

“There’s really nothing you can relate to when you’re, when you’re playing someone who’s so sick and so violent and just like crazy outbursts,” she said.

In fact, the role was so violent that she literally bit her co-star.

“It made me so nervous from day one because you can’t fake a bite,” she said. “Actually, you have to bite that person. You know, you don’t want to hurt them, but it’s a close-up and your teeth should be in the marks, like in the prosthesis.

She said that filming “Resident Evil” was overall a good learning experience. The production even took her to South Africa, which she described as humbling.

“I’m very lucky to live under one roof with a happy, full family, you know, they don’t have a lot of that,” Agudong said. “It’s extreme poverty and wealth, whatever wealth it is for them.”

Even though she is busy with projects, she always makes time to return to the islands. Every time she returns to her hometown of Kauai, she heads straight for the beach or goes on a hike. Most importantly, she makes sure to spend time with her family.

She said she has a few other projects in the works — and plans to go to New York University in the fall.

On the latest episode of Island Beat, Agudong joined Billy V to share stories about growing up in Kauai, how his Disney and Nickelodeon days shaped his acting, what it was like filming “Resident Evil,” and everything. the rest.

Copyright 2022 Hawaii News Now. All rights reserved.

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Man with bad driving record charged with Hollywood hit-and-run homicide – NBC 6 South Florida https://reynoldsrecords.com/man-with-bad-driving-record-charged-with-hollywood-hit-and-run-homicide-nbc-6-south-florida/ Tue, 09 Aug 2022 18:18:38 +0000 https://reynoldsrecords.com/man-with-bad-driving-record-charged-with-hollywood-hit-and-run-homicide-nbc-6-south-florida/

A North Miami man with a long list of traffic violations is now charged with vehicular homicide following a fatal hit-and-run in Hollywood, court records show.

Aundra Recardo Paisley, 50, was driving a rental car around 4:30 a.m. on May 18 when he struck and killed a man walking along a sidewalk near the Seminole Hard Rock Hotel & Casino, Seminole police report .

Broward Sheriff’s Office

Aundra Paisley

It happened at the intersection of US 441 and Stirling Road where Paisley also hit a utility pole and a parked car before fleeing, according to the arrest report.

The pedestrian’s name has been removed from court documents.

Paisley turned himself in to the Seminole Police Department around 8:15 p.m. on August 4 and, in addition to driving a vehicle homicide, he was charged with failing to stop at the scene of a fatal accident, reckless driving and tampering with evidence, among other things, according to the report. .

Records show 20 previous traffic violations since 1996, including speeding, accidents, driving with a suspended license, reckless driving and running a red light.

He remains in the Broward County Jail with bonds totaling $130,000.

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Hollywood has been using the same song for twenty years https://reynoldsrecords.com/hollywood-has-been-using-the-same-song-for-twenty-years/ Sun, 07 Aug 2022 18:30:00 +0000 https://reynoldsrecords.com/hollywood-has-been-using-the-same-song-for-twenty-years/

What is stranger things, The Handmaid’s Taleand Legion all have in common? Throwback sci-fi horror, dystopian drama, and high-concept superpower fable couldn’t be more different from each other — but all three shows have used the same song, in three consecutive years. In fact, they were part of a trend that has been going on for decades.

Jefferson Airplane’s “White Rabbit” has appeared in at least one movie or TV show every year since 2001. The song was released in 1967, but in the new millennium it has become a pop culture mainstay. No longer an ode to drug discovery, the song has more recently been used to express the craziness or unbelievable nature of situations, or the derealized or deteriorated mental state of an individual character. In fact, “White Rabbit’s” association with a particular era – a particular zeitgeist – belies a timelessness, a universality that keeps it relevant even today.

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Jefferson Airplane singer Grace Slick has always been open about her song’s drug-centric lyrics: She wrote “White Rabbit” as “a slap in the face” to parents with cognitive dissonance. Slick felt parents were missing the irony of reading to their children Alice in Wonderland – with its explicit and inferable drug references – and then wondering why their children grew up using drugs. At first, the song was emblematic of the acid rock genre, which was on the rise at the time of its release. Using imagery from Lewis Carroll’s novel to capture the feeling of an altered mental state, “White Rabbit” blends the classic and the contemporary in a way that defined rock music of the time.


Additionally, Slick’s satirical intent reflected Carroll’s own authorship. Writing in Victorian England, Lewis Carroll deliberately wrote much of Alice’s Adventures in Wonderland (and on the other side of the mirrorlisten)) to satirize the moralism that was pervasive in child-rearing in his time. Many of the poems in his seminal novels are incisive restatements of didactic nursery rhymes that were popular at the time: “How Doth The Little Crocodile,” for example, trades industry exhortations in “How Doth The Little Busy Bee against the morbid imagery of a crocodile drawing fish into its “gently smiling jaws”.


The White Rabbit’s first wave of popularity in Hollywood echoes Slick’s original vision. There is perhaps no use in its story more relevant than in the made-for-television film adaptation of Go ask Alice, a book about the dangerous lure of drugs, which takes its title from a lyric by “White Rabbit”. A handful of appearances in the 1980s associate the madness of the song more closely with Vietnam War experiences, including Section. This association persists today, with “White Rabbit” appearing in the PBS documentary about this period, Vietnam War.


From 2001 to 2011, the song continued to appear with a rendition tied to hippie and drug culture in the 1960s. When identifying pop culture trends, it’s often difficult to point to a single example brilliant and to credit it as the sole source of inspiration – yet Zack Snyder’s 2011 film Sucker Punch has a colorful claim that it changed the way filmmakers thought about “White Rabbit.” Sucker Punch wasn’t taken seriously even when it was released (which is a shame, since it was more nuanced than critics or audiences thought). However, his dreamy style and lavish whimsy evoked an altered state throughout the film, which made “White Rabbit” a perfect choice for one of his musical numbers.


The instance has only the thinnest connection to other uses of the song, as Emily Browning lip-syncs it to an extended steampunk fantasy sequence set during World War II. While it is impossible to say whether other filmmakers were inspired by Sucker Punch (indeed, it seems unlikely that many would admit if they were), there is no doubt that the uses of “White Rabbit” have shifted subtly. No longer strictly tied to the idea of ​​hallucinogenic states (or when such states were distinctly popular), the song was used to convey any kind of absurd or surreal event – or to imitate madness in the spirit of the characters.

He plays at the beginning of stranger things, as the Bad Men exert their violence in Benny’s restaurant, trying to take Eleven back. In The Handmaid’s Tale, he follows June’s gaze as she soaks up Jezebel’s blatant debauchery, which seems almost a hallucination after the chaste monotony of her everyday life. And of course “White Rabbit” must appear in Legion – itself a lengthy rumination on psychology, psychosis and what constitutes normality – in the form of a slow, rambling cover that accompanies David as he sorts out what he knows and what his memory misses (or his disclosure of his memory).


It also seems likely that “White Rabbit” will remain popular in the media, as Hollywood continues to explore psychology through film. Few other songs have such an explicit and direct connotation – and few other songs have enjoyed so many performances in the same amount of time. Fads come and go in movie soundtracks, but “White Rabbit,” it seems, is here to stay.

MORE: Stranger Things: Every Needle Drop in Season 4 Vol. 1

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The 20 Best Energizing Lunch Restaurants in Los Angeles – The Hollywood Reporter https://reynoldsrecords.com/the-20-best-energizing-lunch-restaurants-in-los-angeles-the-hollywood-reporter/ Fri, 05 Aug 2022 18:00:44 +0000 https://reynoldsrecords.com/the-20-best-energizing-lunch-restaurants-in-los-angeles-the-hollywood-reporter/

AOC Brentwood

This Mediterranean mecca is from Caroline Styne and Suzanne Goin – key figures in Hollywood’s favorite philanthropic culinary event, LA Loves Alex’s Lemonade.

Angelini

Fairfax’s original location first gained an industry thanks in large part to the late Hollywood publicist David Horowitz, who would hold court there. A Palisades outpost opened this year.

E.baldi

Chef Edoardo “Edo” Baldi’s Canon Drive outpost, who specializes in Tuscan recipes, is a must for dining out. Justin Bieber, Jason Bateman and Al Pacino are among recent celebrity visitors.

Great White

Laid-back California vibes meet Cal-Coastal cuisine (polenta fries, avocado dip) at Great White’s two trendy spots – Larchmont Village and Venice.

Great White

Courtesy of Brecht Van’t Hof

The Alley Grill

An industry mainstay, it’s where big hitters like WME’s Jeffrey Katzenberg and Rick Rosen dine on classic Cobb salads, Dover sole and steaks. “It’s a commissary – a very expensive commissary with better food,” Rosen said. THR.

Hamasaku

Tucked into a corner of a West LA strip mall, the Michael Ovitz-owned sushi bar attracts movie stars and moguls — some of whom get a roll bearing their name on the menu.

Hinoki and the bird

The California-meets-Silk Road hideaway in Century City is a stone’s throw from CAA in the base of a luxury condo tower, which means it practically doubles as the agency’s cafeteria.

At Jon & Vinny’s

The original’s popularity in the Fairfax district—of James Beard Award winners Jon Shook and Vinny Dotolo—helped create additional locations in Brentwood and View Park, and soon Beverly Hills.

Mr Chow

High prices and snobbish reviews have done nothing to stop the flow of bold names to Beverly Hills’ upscale Chinese cuisine, helmed since 1974 by legendary restaurateur Michael Chow.

Nate and Al

Beverly Hills’ iconic Jewish deli has had a rough few years, with ownership changes and pandemic-forced closures. But thanks to a partnership between Shelli and Irving Azoff and The h.wood Group, the former haunt of the late Larry King is once again offering its famous pastrami and matzo ball soup.

The Palm

Now that the Beverly Hills fixture has moved, the celebrity cartoon mural is gone. CAA co-chairman Bryan Lourd’s husband, Bruce Bozzi, once the face of the channel, is also gone. Yet the entertainment elite keep showing up for steak and lobster bisque.

The Polo Lounge

Despite a technically ongoing boycott targeting Beverly Hills Hotel owner the Sultan of Brunei over his policies against women and the LGBTQ community in his country, the likes of David Zaslav, Brian Robbins, Pete Davidson and Kim Kardashian are flocking always over to the VIP stands and order the McCarthy salad.

The iconic Polo Lounge at the Beverly Hills Hotel.

Courtesy of subject

Chopped McCarthy Salad

Courtesy of Pornchai Mittongtare; Kevin Winter/Getty Images

Republic

Few places can match the Hollywood pedigree of this Mid City spot, occupying a large Mission-style space built for Charlie Chaplin in 1928. (Order at the counter.)

San Vicente Bungalows

Jeff Klein’s new private West Hollywood club — formerly an abandoned bathhouse — has become a go-to spot for stars and decision-makers to catch up, cut deals, or mend fences (remember Steven Spielberg and Ted Sarandos confab?).

La Scala

The 66-year-old Beverly Hills staple is famous for its chopped salad (favorite by Elizabeth Taylor, John F. Kennedy Jr. and Leonardo DiCaprio), Italian dishes and celebrities sitting in red leather booths .

Soho WeHo House

Opened in 2010 atop 9200 Sunset Blvd., the private club and coworking space still reigns supreme as a powerhouse dining destination. Note: In the summer of 2022, Soho House added to its LA portfolio with the addition of Holloway House, a boutique hotel with a bustling restaurant in a space formerly occupied by Palihouse in the heart of West Hollywood.

sugarfish

If your lunch date calls for a 12:30 p.m. meal, chances are it’s to avoid the rush at this industry-favorite sushi spot that has 11 locations in the greater Los Angeles area — but none take reservation.

Maybourne terrace

After several high-profile flops led by celebrity chefs, the coveted space facing Beverly Canon Gardens has finally found its crowd under the auspices of the new Maybourne Hotel – especially after Bouchon closed and closed at lunchtime. from the Spago industry power plant across the street.

tower bar

The art deco dining room at Jeff Klein’s Sunset Tower Hotel, also complete with poolside seating, remains a top magnet (especially on Oscar weekend).

Tuscany

Expect to see quiet old-school heavyweights dine on Northern Italian fare at the Brentwood Pier. Regulars include Bob Daly, Michael Mann and Larry David.

This story first appeared in the August 3 issue of The Hollywood Reporter magazine. Click here to subscribe.

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Jacob Sartorius’ diary entries inspired lyrics for his new EP https://reynoldsrecords.com/jacob-sartorius-diary-entries-inspired-lyrics-for-his-new-ep/ Tue, 02 Aug 2022 18:14:35 +0000 https://reynoldsrecords.com/jacob-sartorius-diary-entries-inspired-lyrics-for-his-new-ep/

At 19, Jacob Sartorius has already done his share of growth. The musician, social influencer and filmmaker dives deep into the mental health journey that has accompanied this growth on his second EP, Sleep when I’m deadwhose song lyrics were taken directly from the pages of his diary.

Tracks from the album, which is out August 3, include fear of intimacya dark introspection wrapped in a pop aesthetic; Lemonade, which he describes as a metaphor for toxic love and addiction; and the title track, which recounts his “all or nothing” approach to life that eventually leads to burnout.

“These lyrics came straight from my journal and they are the most accurate documentation of my thought process and how I feel,” he says of last year’s follow-up. Lost but found. “I’m excited for people to hear it, and honestly a little nervous for people to hear it, but that’s because it shares real experiences.”

The nerves are well grounded. Shortly after posting his first Vine at the age of 11, Sartorius catapulted himself into teen idol stardom and evolved from the lip-sync videos that earned him a name to find his own voice. . He dove into a very public relationship and an equally public breakup with stranger things Star Millie Bobby Brown at 15, lived aloud on social media and endured her share of bullying, cancel culture and a growing bout of depression and anxiety.

“It actually took me getting to a place where I couldn’t function properly for me to realize that was something I needed to focus on,” he says of his mental health. “When I got to this place where I didn’t want to get out of bed, where people around me were worried about me and I didn’t think there was much ahead for me. That was the moment that was either going to break me for good or teach me that I didn’t want to go back to this place. will not give up. The fear of abandonment is a big fear for me.

Fortunately, he says, with the support of his family, he had already started seeing a therapist – he still sees the same one today – to overcome his feelings of adoption.

“What had built up was a lot of stress and pressure, as well as a lot of anxiety. I didn’t know how to deal with the anxiety properly and a lot of the intrinsic thoughts that I had – and still have at this point. day, I’m just able to observe them from a different point of view – at the time, I thought everything I thought was true, “he says. “It was very scary for me and sent me in a world of panic and paranoia. I was not able to make decisions and think clearly. It really affected a lot of things that I’m able to do much better now.

Much of Sartorius’ healing has come from reevaluating his relationship with social media and his fan base, which now stands at 39 million followers across all platforms.

“At first, I was super overwhelmed with social media. I was updating my life all the time. I think it’s really cool if you’re able to balance, but I couldn’t,” says he. “Apps can easily have a negative effect on our mental health, but they are also a great way to share positive things. I found ways to limit my use but also to connect. Instead of putting updated what I was doing all the time, went back inside, wrote in my journal, and found other ways to figure out how I was feeling.

Much of this sharing lately has been about Sartorius’ fascination with Dutch athlete and health guru Wim Hof. He became so captivated by Hof’s advice on breathing exercises and cold therapy that he traveled to Amsterdam to meet Hof, and recounts the experience in Breathe: The Documentary, that he released last year exclusively on YouTube.

“Something that really allowed me to have a new perspective on things is the Wim Hof ​​method. It’s a natural way to literally breathe. It’s free and it brings me more peace than I’ve felt in a very long time. I do it every day,” he says.

“I take a cold shower every day, and if I have the opportunity to take an ice bath, I will do an ice bath. But at some point, exposure to cold. I took prescription medication for a very long time for my mental health issues and it is now something I use to combat my mental health.

Sartorius has started live-streaming some of his WHM work on Instagram. “For about 15, 20 minutes I’m going to go out and I’m going to put on the livestream and we’re just going to do a little breathing together. It’s so cool that we don’t have to do things that could harm our health and instead we can replace those things with things that really open our minds and keep our bodies as healthy as possible.

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Chuck D + Anthrax performed “Bring the Noise” at the Hollywood Palladium https://reynoldsrecords.com/chuck-d-anthrax-performed-bring-the-noise-at-the-hollywood-palladium/ Sun, 31 Jul 2022 17:54:27 +0000 https://reynoldsrecords.com/chuck-d-anthrax-performed-bring-the-noise-at-the-hollywood-palladium/

In July 1991, thrash titan Anthrax released a cover of one of Public Enemy’s signature songs, “Bring the Noise”. Now, 31 years later, the duo unexpectedly reunited again, as Public Enemy founder Chuck D joined Anthrax when they performed the hit song at the Hollywood Palladium last Friday night ( July 29).

The track originally appeared on the 1987 soundtrack less than zero before making its way to Public Enemy’s second studio album, It takes a nation of millions to hold us back, the next year. It then reached No. 56 on the Billboard R&B/Hip-Hop Song Chart.

Of course, the rap group mentions Anthrax in the song (“Wax is for anthrax, but it can still ring bells”), prompting longtime fan – and Anthrax guitarist – Scott Ian to persuade his bandmates (and Chuck D) to give them their own official version of the song.

Before long, he appeared both on the Attack of the Killer Bs Anthrax compilation and Public Enemy’s fourth LP, 1991 Revelation 91… The enemy strikes black (like “Bring tha Noize”). The rest, as they say, is history.

Of course, the Hollywood Palladium performance took place just days after the release of Anthrax Anthrax XL, their 2021 40th anniversary live concert, both as a live audio collection and as a video album (available digitally, on CD and on Blu-ray). Among the tracks included is – you guessed it – “Bring the Noise” featuring Chuck D.

You can check out the fan-filmed footage of the song below.

Chuck D. joins Anthrax for “Bring the Noise” at the Hollywood Palladium in Los Angeles

Additionally, Anthrax are currently embarking on an international tour to celebrate their anniversary (alongside Black Label Society, Hatebreed and/or Municipal Waste). Take your tickets here.

All Thrash Metal “Big 4” Albums Ranked

An incredibly diverse collection of albums, ranked from worst to best!

Follow Loudwire’s “Early Thrash: The Beginning & The 90s” playlist here.
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Hollywood in H-town: A look back at the horror parody “Student Bodies” filmed in Houston https://reynoldsrecords.com/hollywood-in-h-town-a-look-back-at-the-horror-parody-student-bodies-filmed-in-houston/ Wed, 27 Jul 2022 09:25:40 +0000 https://reynoldsrecords.com/hollywood-in-h-town-a-look-back-at-the-horror-parody-student-bodies-filmed-in-houston/

Angela Bressler, Sara Eckhardt, Kristen Riter and Anita Taylor in Student Bodies

Photo: courtesy

The 1981 horror movie parody, “Student Bodies,” which was filmed in Houston in the fall of 1980, has stood the test of time to become a cult classic. In this send-up of “Halloween”, “Stir Crazy”, “The Wizard of Oz” and “Prom Night”, a crazed killer called The Breather hunts down high school kids and dispatches them with an array of harmless objects wielded as murder weapons, including including paper clips, blackboard erasers, eggplant and horse head bookends.

For most of the actors, including lead actor Kristen Riter who was still in high school during filming, this was their only film appearance. Riter, not to be confused with contemporary actor Krysten Ritter, became a minor rock star in Europe recording with the band Wedding and also Popul Vuh on the “Cobra Verde” soundtrack. Riter currently teaches vocals and keyboards at a music school in San Ramon, California.

But for Houston-based production coordinator Susan Vogelfang, who now lives in Los Angeles, it all started when she got an out of the blue call from director Michael Ritchie of “Bad News Bears” fame. “Michael quoted me a higher rate than I had ever done,” Vogelfang says.

“I’m going to do the movie for half a million,” Ritchie told her. Along with a credit as unit production manager, Vogelfang has worn many hats, including that of location manager and ad hoc Teamster captain.

“Student Body”

When or: available now on various streaming services

Ritchie told him, “We’re going to have two weeks to prepare, we’re going to shoot in 21 days, and we’re going to wrap for a week.”

Locations included Texas Southern University; Lamar Junior High School in Richmond, used for a ballroom dance; and James E. Taylor High School in Katy, used for football game footage.

A parade using Foley’s Store floats was held at the corner of Main Street and Bell Street. Today, the only recognizable remaining building seen in the background is Houston House Apartments. The tanks are seen against The Exile Club, once the city’s oldest gay bar, located at 1011 Bell St. but closed in 1986.

As a member of the DGA, Ritchie could not take credit for the direction because the film was not unionized. This credit went to Mickey Rose. Rose himself was a successful writer who wrote Woody Allen’s “Take the Money and Run” and “Bananas” and wrote material for Johnny Carson.

Rose and fellow writers (credited as producers) Jerry Belson and Harvey Miller were on the gag writing set daily.

Belson’s credits include producing and writing “The Odd Couple” and he also voiced The Breather. Miller was nominated for an Oscar for “Private Benjamin.”

“They were hilarious to be there,” Vogelfang says. “They couldn’t turn it off.

Craig Busch, then a production assistant who would become a stage manager in Houston, remembers Rose and the other writers rewriting jokes on set every day.

“Mickey was calling for action, but if he had a setup that wasn’t working, Ritchie would change it,” says Busch. “Ritchie was the driving force.”

Busch recalled a scene where a stuntman dove through a four-story window. “He got paid $600 but they had to do the stunt twice. Ritchie no longer wanted to pay the $600. They haggled for a while, and the stunt man held up five fingers and Ritchie shook his head. Then he held up four fingers and Ritchie nodded in agreement,” Busch explains.

Ritchie brought in prop master Donald Nunley from Hollywood, so he was a heavyweight in the art department.

“He told me about the product place and said, ‘We’re going to get a lot of free stuff.’ Michael had a scene where a babysitter opens a fridge and all the product placement is there at the same time,” Vogelfang explains.

Some of the items featured in “Student Bodies” include Coors Beer, Dr. Pepper, Kentucky Fried Chicken, and Dunkin’ Donuts.

“Student Bodies” ends with weapons rising from a fresh grave. Houston-based producer Susan Elkins remembers it well.

“They needed someone to be in the grave, so I volunteered. They weren’t going to bury any of the actors,” Elkins explains. “We paid attention to safety, I had a breathing apparatus. I didn’t like doing it, and they shot it in one take.

As a gift after production ended, Ritchie and Rose presented the crew with individual horse-head bookends, a major prop in the film, with each person’s name on a plaque. Despite the film’s R rating, the film contains no graphic violence, sex, or language except for an F-bomb. Ritchie continued his studio career in the ’80s with hits like “The Survivors” and ” Fletch”.

Michael Bergeron is a Houston-based writer.




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Law & Order ‘Goodfellas’ actor was 83 – The Hollywood Reporter https://reynoldsrecords.com/law-order-goodfellas-actor-was-83-the-hollywood-reporter/ Mon, 25 Jul 2022 18:30:22 +0000 https://reynoldsrecords.com/law-order-goodfellas-actor-was-83-the-hollywood-reporter/

Paul Sorvino, the burly character actor who made a career out of playing powerful guys, including cold-hearted mobster Paulie Cicero in Martin Scorsese GoodFellas, is dead. He was 83 years old.

Sorvino, the father of Oscar-winning actress Mira Sorvino (Mighty Aphrodite), died Monday of natural causes, his wife, Dee Dee, announced.

“Our hearts are broken, there will never be another Paul Sorvino, he was the love of my life and one of the greatest performers to ever grace the screen and the stage,” she said. declared.

Publicist Roger Neal said he died at the Mayo Clinic in Jacksonville, Florida.

In a solid career that spanned half a century, Sorvino portrayed bookmaker James Caan inThe player (1974), Claire Danes’ insistent father in Baz Luhrmann Romeo and Juliet (1996), Secretary of State Henry Kissinger in Oliver Stone’s Nixon (1995) and a distressed heroin addict in The cooler (2003).

He played a founder of the American Communist Party in Warren Beatty’s Reds (1981) and worked again alongside the actor-director in Dick Tracy (1990), Bulworth (1998) and The rules don’t apply (2016).

A respected tenor who fulfilled a dream when he performed for the New York Opera at Lincoln Center in 2006, the Brooklyn native also performed for a season as Det. Phil Cerretta, Chris Noth’s detective partner. Mike Logan on NBC Law and order.

In 1973, Sorvino received a Tony nomination and a Drama Desk Award for his performance as the unscrupulous Phil Romano – one of four former high school basketball players who reunite to visit their former coach – in the original production Broadway by Jason Miller. This league seasonwinner of the Pulitzer Prize for drama.

He reprized the role for a 1982 film, then played the coach in a 1999 Showtime TV movie for which he also made his directorial debut. He returned to Scranton, Pennsylvania, part of This league seasonto star in and direct his only feature film, The problem with Cali (2012).

Yet Sorvino is probably best known for his role as Cicero, who enjoyed a good meal and cut his garlic with a razor blade, in the ultra-violent GoodFellas (1990), which Nicholas Pileggi and Scorsese adapted from Pileggi’s 1986 non-fiction book.

In a 2015 New York Times piece on the 25th anniversary of the film, Sorvino said he was overjoyed to get the part – and scared to death.

“I had done a lot of comedies as well as dramas, but I had never done a really tough guy. I never had it in me,” he said. “And that [part] called for lethality, which I felt was beyond me. I called my manager three days before shooting started and said, “Get me out.” I’m going to ruin this great man’s picture, and I’m going to ruin myself. He, wise, said: “Call me tomorrow, and if necessary I’ll get you out.”

“Then I walked past the mirror in the hallway to adjust my tie. I was just inconsolable. And I looked in the mirror and literally took a foot back. I saw a look that I didn’t I had never seen, something in my eyes that alarmed me. A deadly, soulless look in my eyes that frightened me and was extremely threatening. And I looked up to the heavens and said, ‘You found it.’ “

A 6-foot-3, 240-pound commander in his prime, Sorvino also played men on the wrong side of the law in Panic in Needle Park (1971), William Friedkin Brink’s work (1978), The Rocket (1991) and The company (1993).

“There are a lot of people who think I’m actually a gangster or mafioso, largely because of Freedmen“, he once said. “I guess it’s the price to pay to be effective in a role.

He could be a great softie, though. When her daughter took the stage to accept her Academy Award for Best Supporting Actress in 1996, Sorvino was seen in the audience, crying happily.

Sorvino was born on April 13, 1939 in the Bensonhurst neighborhood of Brooklyn. Her father was an Italian immigrant who worked in a dress factory and her mother was a homemaker and piano teacher. His parents argued frequently, and he spent time living in California with his mother before graduating from Lafayette High School in 1956.

Sorvino said he had always been fascinated by the human voice and sang in Catskills hotels as a teenager. He took class after class and dreamed of becoming an opera singer, but an asthma problem forced him to focus on acting.

He attended the American Musical and Dramatic Academy, studied with Sanford Meisner and William Esper, and rose to prominence on stage.

Learning to control his asthma with breathing exercises – he would later found the Sorvino Children’s Asthma Foundation and write a book in 1985, How to Become a Former Asthmatic – Sorvino made his Broadway debut as a singing patrolman in the musical Bajour in 1964.

Sorvino first appeared on screen in Carl Reiner Where is dad ? (1970), then played the father of Joseph Bologna in made for each other (1971), the producer friend of George Segal in A touch of class (1973) and a government agent in Mike Nichols dolphin day (1973).

In 1975, Sorvino embarked on a television series playing a middle-class New Jersey lawyer in We’ll get through this, a CBS show created by Alan Alda. The comedy, however, only lasted 12 episodes. The following year he starred as a maverick cop in the The streets of San Francisco spin off Bert D’Angelo, Superstar. This was canceled after 11 episodes.

Talking about his only season (1991-92) on Law and order, Sorvino was not nostalgic. “I felt like I was in the Russian gulag,” he said. “There was absolutely no communication with the writers and producers, and we had to work under the worst conditions.”

He left the show and Logan found a new partner, Det. Lennie Briscoe (Jerry Orbach).

Sorvino also played the cop who sends Al Pacino undercover in Friedkin’s Cruise (1980) and portrayed detectives in Me, the Jury (1982) and as a main character in another short-lived CBS show, 1987-88 The oldest recruit.

He portrayed Bruce Willis’ father on ABC Illegal workand with Raymond Burr ailing, stepped in to play a guest lawyer in a Perry Mason TV movie, 1993 The case of wicked women.

He also starred with Ellen Burstyn and Kevin Dillon in the 2000-02 CBS comedy-drama That’s life.

Sorvino’s CV also included Reiner’s Oh my God! (1977), Slow dance in the big city (1978), Blood brothers (1978), FOUND OBJECT (1979), the 1979 TV movie Dummy, Turkish 182! (1985), The thing (1985), A beautiful mess (1986), money talks (1997), Plan B (2001), Scent (2001), Mr. 3000 (2004) and The Bronx Bull (2016).

More recently, he played Frank Costello in the Epix series Godfather of Harlem.

In a 1995 interview with Charlie Rose, Sorvino lamented that he never had the chance to do a studio shot. “I went to the top of the mountain, but I wasn’t the guy,” he said. “I was a passenger on the bus, but I was not the driver.”

Sorvino sang the role of Alfred in Die Fledermaus with the Seattle Opera Company in 1981 and years later performed in a revival of The happiest guy at Lincoln Center. He has also recorded three CDs.

Sorvino married his third wife, Dee Dee Benkie, a GOP strategist and former aide to President George W. Bush, in 2014. They had met on Fox News Channel. Your world with Neil Cavuto.

He had dealt with health issues in recent years, she said, and will be buried at Hollywood Forever Cemetery. Survivors include his other children, Amanda and Michael, and five grandchildren.

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Inside FX and THR’s “What We Do In the Shadows” Comic-Con Bash – The Hollywood Reporter https://reynoldsrecords.com/inside-fx-and-thrs-what-we-do-in-the-shadows-comic-con-bash-the-hollywood-reporter/ Sat, 23 Jul 2022 08:08:31 +0000 https://reynoldsrecords.com/inside-fx-and-thrs-what-we-do-in-the-shadows-comic-con-bash-the-hollywood-reporter/

Vampires stalked San Diego Comic-Con on Friday night as the stars of What we do in the shadows celebrated the fourth season of the FX show. The evening, co-organized by The Hollywood Reporter and FX, turned the Gaslamp Quarter Meze restaurant into a vampire nightclub, the party following the critically acclaimed series which earned seven Emmy nominations, including for Outstanding Comedy Series.

Shadows talents such as Matt Berry, Kristen Schaal, Harvey Guillen, Mark Proksch, Emmy nominated writer Stefani Robinson, writer Paul Simms and director Kyle Newacheck mingled with the crowd.

Guests also included Shazam! star Zachary Levi, who chatted with comic book legend Jim Starlin, the creator of characters such as Thanos. A CC cross has occurred when The Suicide Squadby David Dastmalchian took photos with Shazam!is Jack Dylan Grazer. Others present included Minnie Driver, Danny Trejo, The boys star Jack Quaid, Star Trek: Strange New Worlds stars Ethan Peck and Celia Rose Gooding, rick and morty co-creator Dan Harmon and actor Chris Parnell, who embraced his Archer co-star Aisha Tyler.

What we do in the shadows star Berry said THR on the red carpet, this season four “was the most fun to do”. When asked about the show’s Emmy nominations, Berry pointed out that accolades were not his goal. “Anyone who watches the show is a big bonus for me,” the Lazlo actor said. “Anyone who likes the show is an even bigger bonus. So that’s all that really matters to me.

Proksch’s character Colin Robinson got a shout out on the drinks menu, with a Baby Colin Robinson (sprite and grenadine) offering a non-alcoholic option. He said THR the Emmy recognition was a welcome surprise, given the nature of the show. “It’s a quirky, very niche comedy, and these days it doesn’t usually get a lot of attention,” the actor said. “So being able to bring fans to the show over time is really rewarding.”

Executive producer Robinson said THR that it’s been hard to fathom all the positive attention the series has received. “It’s amazing to be at Comic-Con,” Robinson said. “Everything is beyond my wildest dreams.” Robinson also admitted that the show’s team doesn’t tend to plan much beyond the current season. “The cliffhangers that we left for everyone, we don’t necessarily have plans to fix them.” The series, which airs Tuesdays at 10 p.m., has been renewed through the sixth season.

JD Pardo and Clayton Cardenas

Jerod Harris/Getty Images for The Hollywood Reporter

The event was held in accordance with local health and safety guidelines. This year’s Comic-Con is the first in three years, after the convention went virtual in 2020 and 2021 due to COVID-19. At the time, The boys has become a major force in the geek world.

The boys star Quaid said THR that he is as ignorant as the audience of what awaits his character, Hughie. “This is the time when I can just be a fan,” Quaid said. “I’m just waiting for the scripts to come out, and I’m really excited to see what’s going to happen. I have no idea what’s going to happen, so I’m going to read this first script and be very surprised.

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Mickey Driver

Jerod Harris/Getty Images for The Hollywood Reporter

Minnie Driver took part in a Comic-Con panel for her next film Nandor Fodor and the Talking Mongoose, in which she stars with Simon Pegg and Christopher Lloyd, and she received praise from the supportive audience for the event. “It’s such a good vibe,” the actress said. “Everyone is so cool and happy to be here and having a good time that I’m so thankful it’s not virtual anymore.”

The What we do in the shadows will appear in Hall H for a panel on Sunday from 1:15 p.m. Schaal, who performs The Guide on Shadows, teased of the season four characters, “Everyone level up on their journeys.”

—Tiffany Taylor contributed reporting.

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Danny Trejo

Jerod Harris/Getty Images for The Hollywood Reporter

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Aisha Tyler

Jerod Harris/Getty Images for The Hollywood Reporter

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Chris Parnell

Jerod Harris/Getty Images for The Hollywood Reporter

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