Wes Anderson’s latest feature, The French dispatch, is finally slated to premiere at the Cannes Film Festival in July after being pushed back for a whole year. Following its festival, the film will hit theaters on October 22. The comedy drama will be Anderson’s 10th feature film, following a series of now-cult hit indie comedies and Criterion Collection staples dating back to 1996.
Below is a ranking of the nine Anderson features released so far, based on their Rotten Tomatoes scores, with the Metacritic score being used as a tiebreaker if needed.
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Aquatic Life with Steve Zissou – 56 percent
While the audience score is considerably more favorable at 82%, the critics were on the closing of Wes Anderson’s ocean-themed action-adventure. Anderson’s only “Rotten” movie about the Opinion Aggregator, Aquatic life stars Bill Murray as Steve Zissou, an oceanographer determined to avenge his friend who was devoured by a ‘jaguar shark’.
Aquatic life This is where Anderson first achieves his distinctive stylistic stride. Using stop-motion animation for the creature scenes – accentuating his vivid color palettes and skillful use of symmetry – the author shows whimsy in a film that also offers moments of intense gunshots and tragic loss. While some praise him as a “minor masterpiece, “critical Sukhdev Sandhu at the Telegraph called The Life Aquatic with Steve Zissou “shallow and boring.”
The Darjeeling Limited – 69 percent
Following his two previous films with great castings, Anderson cut things down with The Darjeeling Limited in terms of the number of actors, but took its three main actors – Jason Schwartzman, Adrien Brody and Owen Wilson – on a trip to India. Playing three brothers reunited for the first time in a year since their father’s funeral, the aforementioned trio embark on an introspective adventure filled with bickering and bonding.
India’s vibrant backdrop lends itself wonderfully to Anderson’s affinity for primary color palettes and symmetrical architecture, with the titular train frame particularly eye-catching. But, while reviews were generally favorable, The Darjeeling Limited seems to be catching the flack for being one of Wes Anderson’s more pretentious works. Joe Morgenstern of the Wall Street Journal said, “The film as a whole operates in Mr. Anderson’s patented semi-precious area of antiques and funny,” while using train puns to suggest that Anderson wasn’t quite right. done on track with this one.
The Royal Tenenbaums – 81 percent
The Royal Tenenbaums was Anderson’s first outing with an ensemble cast. Starring Gene Hackman, Anjelica Huston, Gwyneth Paltrow, Bill Murray, Luke Wilson, Owen Wilson, Ben Stiller and narrated by Alec Baldwin, Anderson’s third feature focuses on the titular patriarch and his vast family – mainly his three geniuses, adult children. There is dysfunction, love, hurt, betrayal and charm; a mature dramatic comedy with a lot of heart and a lot of heartache.
Once you’ve seen it, you’ll have plenty of original quotes at your disposal, and Elliott Smith’s “Needle in the Hay” will affect you in a whole new way.
Rocket Bottle – 85 percent
Wes Anderson’s directorial debut is also the debut of the Wilson brothers, Owen, and Luke. Almost entirely void of Anderson’s later signature style, Rocket in bottle is a charming little detective comedy that could be likened to a more hipster take on a Coen Brothers classic.
Praised by Martin Scorsese himself also funny and moving, the legend of the cinema evoked Rocket in bottle like a film “without a trace of cynicism, which obviously arose from the affection of its director for his characters in particular and for people in general. A rarity.”
Isle of Dogs – 90 percent (Metascore 82)
While her story may not be as accessible as Anderson’s first stop-motion feature film, Dog Island enhances the craft with amazing character design and meticulous detail. It’s a feat in animation, once again showing Anderson’s lineup as a creator. It’s characteristically straightforward but adventurous and fun with a canine cast voiced by greats like Bryan Cranston, Ed Norton, Scarlett Johansson, Bill Murray, and Jeff Goldblum.
David Stratton, reviewer for The Australian, called Dog Island a “unique and utterly enchanting experience” – the general consensus among critics.
Rushmore – 90 percent (Metascore 86)
Jason Schwartzman made his film debut in Anderson’s sophomore effort, Rushmore, at only 17 years old. He has become a frequent collaborator with Anderson, starring in his six consecutive films since The Darjeeling Limited – including the next one Shipping in French – plus a short film with Natalie Portman.
following Rocket in bottle, Rushmore saw Anderson find his stylistic base as a still budding creative talent. It’s a sophisticated coming of age story beyond his years, with a sort of arrogant charm. Desson Thomson of the Washington Post best says: “Rushmore is an almost indefinable genre in itself. “
The Grand Budapest Hotel – 92 percent
Thanks to a leading presence in the rewards circuit, The Grand Budapest Hotel boomed long after its release and went on to be nominated for nine Oscars, including Best Director and the coveted Best Picture. The film ended up winning four Oscars and sealed itself as Wes Anderson’s most decorated film.
With one of Anderson’s most notable casts to date, The Grand Budapest Hotel stars a charming role-playing tour by Ralph Fiennes and impeccable support from Tony Revolori, F. Murray Abraham, Adrien Brody, Saoirse Ronan, Jude Law, Willem Dafoe, Tilda Swinton, Edward Norton, Jeff Goldblum, Harvey Keitel, Owen Wilson , Jason Schwartzman and many others. The film is a master class in set and costume design, attention to detail, and witty screenwriting.
Fantastic Mr. Fox – 93 percent (Metascore 83)
Shifting your medium speed completely and delivering instant gem in an entirely new genre seems unlikely, if not impossible. But when Anderson decided to give the animation a try, he took it out of the park on his first swing. The announcement of Anderson’s stop-motion version of Roald Dahl’s beloved children’s novel, Fantastic Mr. Fox, was appalling to say the least, but by his sixth film, there should have been no doubt that Anderson would deliver.
Led by George Clooney and Meryl Streep, Anderson’s first stop-motion release was a huge success. Richard Brody of the New Yorker said, “Visually, the film is a marvel, with its profusion of detail and extremely figurative ‘performances’, which Anderson frames in images as precisely composed as those in his live work.”
Moonrise Kingdom – 93 percent (Metascore 84)
Take the first place by a single metacritical point is that of 2012 Kingdom of Moonrise. What is ostensibly a simple story of young love and coming-of-age adventure is dressed in the seasoned sense of aesthetics, quirky characters, sets and costumes, places and sense of the dry humor.
Kingdom of Moonrise might have the biggest heart of any Anderson movie, with a timeless, relatable feel for tweens and adults alike. Blending the realities of growth with an almost surreal world, seemingly filtered through childish imaginations, Anderson’s seventh feature has found the perfect formula to woo critics and remain his top-rated film nearly a decade since its release. exit.
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