Suzanne Santo: Trading Spaces – American songwriter

Fresh off a world tour with Hozier in 2019, Suzanne Santo returned to Los Angeles feeling drained. Heartbroken by a recent breakup with a longtime partner and his still-on hiatus group Honeyhoney, Santo has started to question his sense of belonging. Then, at the behest of Austin’s friends Joe Rogan, Gary Clark Jr. and Shakey Graves, she left behind what she no longer needed and uprooted in Texas.

Bleeding the old to make way for the new, including rediscovering love, Santo has revisited an album of songs she wrote on the road. Garage sale is a collection of thoughts by singer-songwriters and actresses on movement, shedding the baggage from his past and find contentment in his present. “This record is about the things that I left behind and the things that I hold on to,” Santo shares. “I was broken while writing the record. I fell in love again while writing this record, and I learned to fearlessly follow my instincts in all places of my life while making this record.

Working throughout the year, playing the first part and being part of Hozier’s band not only strengthened Santo’s musicality, but forced her to write in some of the most atypical spaces. Can’t wait to release something new – four years had already passed since Santo made his debut at the helm of Butch Walker Ruby red and more time since Honeyhoney’s third album, 3, In 2015 — Santo started to crop Garage sale using battery-powered cigarette amps to plug in guitars backstage, on buses, hotels and even while temporarily staying on a farm on the Irish coast. By the end of the tour, which culminated with a scoring 60,000 performance at Glastonbury, Santo had a full record.

“Looking back, I recognize how much this has changed the game,” says Santo of the Hozier tour. “It took my musicality to a new level and reshaped my career. My guitar playing took to another level and I became a much better musician.

Garage sale captures warm and cold reflections of love, magnetic memories and makes peace with the past. Working on its brooding haze of grief, “Over and Over Again” begins the story of Santo, hitting the nostalgic folk of “Mercy” and the traps of getting rich too quickly on “Gold Rush”. Santo drifts through more American roots on “Save for Love” and “To No End” with a heavier guitar and strings bringing a smokier rock element into the harsher triad of “Bad Beast”, “Since I Had Your Love “and the soul-crunching” Afraid of Heights “—with Shakey Graves — and through the hard-hitting” Fall For That “, punctuated by the guitar playing of Gary Clark Jr ..

Filled with various metaphors around the physical aspect of trying to put a record together when Santo was never in one place for too long, Garage sale summarizes this timeline of her relationship and finds her place once again. “The common thread is my vulnerability,” Santo reveals.

For the Cleveland-born artist, now 36, changing location and space has always been the norm, but music has always remained the constant, causing her to take a break from an acting career of nearly 20 years old, with roles in the TBS series. The guest book, and in the 2004 film Imaginary heroes, with Sigourney Weaver and Jeff Daniels, as well as roles in television series Judging Amy and Average. Screened as a model at age 14, Santo continued to attend Professional Children’s School in New York City with classmates like Scarlett Johansson and Jack Antonoff, before moving to Los Angeles, where she trained Honeyhoney with Ben Jaffe at the end of his teenage years.

Reflecting on her most recent past, Santo says she has already lived a few lives over the past two years. “I had a serious relationship, breaking up and falling in love, in conjunction with the Hozier group, so I lived a lot of lives during that time,” Santo shares. “I find that as we get older we get through these things a little faster, because you have wisdom and experience, and life feels like it goes faster. There are a lot of versions of my life on this record.

Still working on the nuances of her new city – the people, namely building her music community, the places and spaces she now calls her home – Santo is also trying to perfect her new dance routine. writing to Austin.

“I write because I have to,” she says. “Once you’ve made the effort, the muse appears. When I was on tour, the muse would hit me on the head and wake me up in the middle of the night. It was also isolating because everyone was partying and hanging out while I went to bed so I could get up early.

Santo adds: “Writing is a relationship with yourself and God, the universe or the spirit or whatever you want to cut it out.”


Listen to Suzanne Santo Garage sale below.

Photo by Cameron McCool

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